Toutes peintures à l'huile d'Albert Pinkham Ryder

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45408

Constance

mk181 bender 1896 Ol auf Leinwand 71.7x91.4cm

96550

Die Rennbahn oder der Tod auf einem fahlen Pferd

1895-1910 Medium oil on canvas Dimensions 72 X 89.5 cm cyf

66113

Evening Glow, The Old Red Cow

between 1870(1870) and 1875 Oil on canvas 20 x 22.8 cm (7.87 x 8.98 in)

72905

Grazing Horse

Date between 1872(1872) and 1878(1878) Medium Oil on canvas Dimensions 25.8 X 35.8 cm (10.16 X 14.09 in) cyf

72570

Illustrated Newspaper

Date ca. 1868(1868) Medium Oil on canvas Dimensions 42.9 X 35.1 cm (16.89 X 13.82 in) cyf

4407

Jonah

25713

Moon-light Marine (mk43)

Probably 1870sor 1880s, The Metropolitan Museum of Art,New York

70890

Moonrise

ca. 1870(1870) Oil on canvas 21.3 x 26.2 cm (8.39 x 10.31 in)

72329

Sheepfold

Date ca. 1870(1870) Medium Oil on canvas Dimensions 21.5 X 22.6 cm (8.46 X 8.9 in) cyf

4406

Siegfried and the Rhine Maidens

The National Gallery of Art, Washington D.C.

22295

Siegfried and the Rhine Maidens (mk19)

1888-1891 Oil on canvas,50 x 52 cm National Gallery,Washington (DC)

72252

Summer s Fruitful Pastures

Date between 1875(1875) and 1879(1879) Medium Oil on panel Dimensions 19.4 X 25.2 cm (7.64 X 9.92 in) cyf

71148

Summer's Fruitful Pastures

between 1875(1875) and 1879(1879) Oil on panel 19.4 x 25.2 cm (7.64 x 9.92 in)

22298

The Flying Dutchman (mk19)

c 1887 Oil on canvas,36.1 x 43.8 cm National Museum of American Art,Washington (DC)

71657

The Grazing Horse

between 1872(1872) and 1878(1878) Oil on canvas 25.8 x 35.8 cm (10.16 x 14.09 in)

71140

The Hunter

ca. 1880(1880) Oil on panel 14.8 x 29 cm (5.83 x 11.42 in)

89460

The Lovers' Boat

c. 1881 Medium oil on wood Dimensions 11 3/8" x 12" cjr

4405

The Race Track

Cleveland Museum of Art

32010

The Race Track

mk77 c.1886-1908 27 3/4x35 1/2in

71194

The Sheepfold

ca. 1870(1870) Medium Oil on canvas Dimensions 21.5 x 22.6 cm (8.46 x 8.9 in)

71293

The Shepherdess

ca. 1880(1880) Oil on panel 25.7 x 17.3 cm (10.12 x 6.81 in)

39086

The Waste of Waters is Their Field

mk140 early 1880 Oil on canvas 28.8x30.5cm

71405

The Waste of Waters is Their Field

ca. 1880(1880) Oil on panel 28.8 x 30.5 cm (11.34 x 12.01 in)

4408

Toilers of the Sea

27987

Toilers of the Sea

c 1880-5 oil on wood 29.2 x 39.5cm (11 1/2 x 12in) Metropolitan Museum of Art New York (mk63)

72547

Waste of Waters is Their Field

ca. 1880(1880) Medium Oil on panel Dimensions 28.8 X 30.5 cm (11.34 X 12.01 in) cyf

Albert Pinkham Ryder

1847-1917 Albert Pinkham Ryder Gallery Albert Pinkham Ryder (March 19, 1847 ?C March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist. After 1900, around the time of his father's death, Ryder's creativity fell dramatically. For the rest of his life he spent his artistic energy on occasionally re-working existing paintings, some of which lay scattered about his New York apartment. Visitors to Ryder's home were struck by his slovenly habits -- he never cleaned, and his floor was covered with trash, plates with old food, and a thick layer of dust, and he would have to clear space for visitors to stand or sit. He was shy and did not seek the company of others, but received company courteously and enjoyed telling stories or talking about his art. He gained a reputation as a loner, but he maintained social contacts, enjoyed writing letters, and continued to travel on occasion to visit friends. While Ryder's creativity fell after the turn of the century, his fame grew. Important collectors of American art sought Ryder paintings for their holdings and often lent choice examples for national art exhibitions, as Ryder himself had lost interest in actively exhibiting his work. In 1913, ten of his paintings were shown together in the historic Armory Show, an honor reflecting the admiration felt towards Ryder by modernist artists of the time. By 1915 Ryder's health deteriorated, and he died at the home of a friend who was caring for him. A memorial exhibition of his work was held in the Metropolitan Museum of Art in New York in 1918. While the works of many of Ryder's contemporaries were partly or mostly forgotten through much of the 20th century, Ryder's artistic reputation has remained largely intact owing to his unique and forward-looking style. Ryder was along with Thomas Hart Benton, David Siqueiros and Pablo Picasso an important influence on Jackson Pollock's paintings.

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